Colin Hoult / Anna Mann in How We Stop the Fascists

If there’s been a theme to this year’s festival fringe, it’s probably been ‘topical’ political satires. And, by and large, it’s of a low quality: cheap gimmicks to capture the attention of a largely left-wing audience. However, buried beneath the predictably awful Brexit: The Musical (and literally dozens of shows about Trump) lies the riotously…

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