David Hare’s latest play “I’m Not Running” lacks his characteristic wit, instead subjecting its audience to a dull and confused evening of fantasy politics.
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Review: I’m a Phoenix, Bitch (Battersea Arts Centre)
Legendary performance artist Bryony Kimmings returns with a brave and exhilerating solo show examining her recovery from postnatal breakdown.
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Review: The Malady Of Death (The Barbican)
The Malady of Death, Alice Birch and Katie Mitchell’s arresting new piece of Live Cinema, arrives at the Barbican and leaves a striking impression.
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Nine Alternative Theatre Openings for October
Nine of the weirdest, most exciting shows opening in London this October, as chosen by our Theatre Editor.
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Protest Song by Tim Price at the Camden People’s Theatre
Protest Song leaves you uncomfortable but wanting to know more. And it leaves you feeling like you should do better.
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Spiders by Billie Collins
Spiders isn’t perfect. Spiders isn’t completed – I hope. Instead, it’s peak fringe theatre: rough, vital, compelling, effective.
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How To Cope With Embarrassment review
How To Cope With Embarrassment offers us a delicious platter of first-class cringe. The show poignantly opens with the classic statement from 2007’s Miss South Carolina when asked why she thinks a fifth of Americans cannot locate their country on a map, to which she responded: “I personally believe that U.S. Americans […] uhmmm, some people…
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Exit the King
In Exit The King, Marber mixes clowning and comedy to create one of the year’s truest tragicomedies.
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Other People’s Teeth review
Matt Neubauer reviews Other People’s Teeth’s last show before it hits the Edinburgh Fringe.
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A Serious Play about World War II
A Serious Play About World War II isn’t very serious. It isn’t really about World War II. If we’re being honest, it’s barely a play.
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