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Theatre

Arts TheatreMatt AldridgeNovember 12, 2018November 12, 2018

Review: Pinter Four (Harold Pinter Theatre)

The spirit of Harold Pinter marches on in ‘Pinter Four’, which poignantly captures both his talent for humour and his abstract insight into our domestic relationships .

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Arts TheatreMatt NeubauerNovember 12, 2018November 12, 2018

Review: Chekhov’s First Play (Battersea Arts Centre)

Dead Centre cut savagely to the heart of a confused original script in their radically reworked adaptation of Chekhov’s First Play

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Arts TheatreMatt NeubauerNovember 10, 2018November 10, 2018

Review: CHUTNEY (The Bunker)

Despite struggling to make a more serious connection, CHUTNEY still milks an impressively high standard of comedy from the touchy subject of violent pet murder.

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Image: Carl Fletcher
Arts TheatreMatt AldridgeNovember 9, 2018November 10, 2018

Review: SHE and Stiff (White Bear Theatre)

★★★★☆ // KDC present SHE and Stiff, a solid and engrossing double bill of fringe theatre sustained by slick and committed acting

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Arts TheatreMatt AldridgeNovember 7, 2018November 10, 2018

Review: Romeo And Juliet (Barbican)

★★★☆☆ // Despite a promising set-up, the RSC’s latest production of Romeo and Juliet struggles to deliver the cutting social commentary it initially promises.

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Arts TheatreMatt NeubauerNovember 2, 2018November 2, 2018

Review: Moot Moot (Yard Theatre)

Farcical, satirical, jarring, and absurd: Moot Moot returns to The Yard to induct you into the weirdest radio show you’ll never hear,

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Arts TheatreMatt NeubauerNovember 1, 2018November 1, 2018

Nine Alternative Theatre Openings for November

Nine of the weirdest, most exciting shows opening in London this November, as chosen by our Theatre Editor.

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Arts TheatreKim TranOctober 27, 2018November 1, 2018

Review: Forgotten 遗忘 (Arcola Theatre)

The importance of the story outstrips the deftness of its telling in Forgotten 遗忘, Daniel York Loh’s tale of the rarely-remembered Chinese Labour Corps.

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Arts TheatreMatt NeubauerOctober 11, 2018November 1, 2018

Review: I’m Not Running (National Theatre)

David Hare’s latest play “I’m Not Running” lacks his characteristic wit, instead subjecting its audience to a dull and confused evening of fantasy politics.

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Arts TheatreTara CarlinOctober 10, 2018November 1, 2018

Review: I’m a Phoenix, Bitch (Battersea Arts Centre)

Legendary performance artist Bryony Kimmings returns with a brave and exhilerating solo show examining her recovery from postnatal breakdown.

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© The Panoptic 2018
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