The spirit of Harold Pinter marches on in ‘Pinter Four’, which poignantly captures both his talent for humour and his abstract insight into our domestic relationships .
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Review: Chekhov’s First Play (Battersea Arts Centre)
Dead Centre cut savagely to the heart of a confused original script in their radically reworked adaptation of Chekhov’s First Play
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Review: CHUTNEY (The Bunker)
Despite struggling to make a more serious connection, CHUTNEY still milks an impressively high standard of comedy from the touchy subject of violent pet murder.
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Review: SHE and Stiff (White Bear Theatre)
★★★★☆ // KDC present SHE and Stiff, a solid and engrossing double bill of fringe theatre sustained by slick and committed acting
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Review: Romeo And Juliet (Barbican)
★★★☆☆ // Despite a promising set-up, the RSC’s latest production of Romeo and Juliet struggles to deliver the cutting social commentary it initially promises.
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Review: Moot Moot (Yard Theatre)
Farcical, satirical, jarring, and absurd: Moot Moot returns to The Yard to induct you into the weirdest radio show you’ll never hear,
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Nine Alternative Theatre Openings for November
Nine of the weirdest, most exciting shows opening in London this November, as chosen by our Theatre Editor.
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Review: Forgotten 遗忘 (Arcola Theatre)
The importance of the story outstrips the deftness of its telling in Forgotten 遗忘, Daniel York Loh’s tale of the rarely-remembered Chinese Labour Corps.
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Review: I’m Not Running (National Theatre)
David Hare’s latest play “I’m Not Running” lacks his characteristic wit, instead subjecting its audience to a dull and confused evening of fantasy politics.
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Review: I’m a Phoenix, Bitch (Battersea Arts Centre)
Legendary performance artist Bryony Kimmings returns with a brave and exhilerating solo show examining her recovery from postnatal breakdown.
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