Things are about to warm up in the U.K. (weather wise at least), and we’re back this week with another bucket of red hot tunes. This time around, we’re bringing you a real spread. From a large helping of Cardi B, to a dollop of James Supercave, the musically varied Panoptic team bring you our singles of the week.
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Follow our Singles of the Week here. Emma Bradley, ‘Raw’ by Sigrid Feisty Norwegian newcomer Sigrid has been one of my favourites since her first song came out. I’ve been trying to see her live for months now, but her new single Raw is tiding me over until the next time she inevitably sells out…
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Follow our Singles of the Week here. Brooklyn Jones,’On Hold’ by Fenne Lily I’ve been a fan of Bristol songstress Fenne Lily ever since I first heard ‘Top To Toe’ in 2016. Her newest release, ‘On Hold’, adds a bit more rhythmic depth; imagine a bit more Regina Spektor than Daughter, and calling in some…
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The ‘room’ in question is in fact the beautifully refurbished Victoria Palace Theatre which plays host to Lin-Manuel Miranda’s multi-award winning contemporary masterpiece. Through 46 gloriously varied, heart-wrenching and punchy songs, Miranda ingeniously retells the story of Alexander Hamilton and the founding fathers through the lens of current day America. The historically white founding fathers…
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Rufus Norris, artistic director of the National Theatre, has made a commitment to increase the volume of new work across the National’s three stages. Common by DC Moore follows the disappointing Salomé onto the largest and most difficult stage, the Olivier.
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Emma Rice, the outgoing artistic director of the Globe Theatre, is no stranger to pushing boundaries and courting the controversy that comes with creativity – and Twelfth Night is no different.
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To say the National Theatre’s revival of Tony Kushner’s Angels in America has been hotly anticipated, is an understatement. It was an instant sell out and boasts a heavy weight, award winning team. The play is divided into two parts – The Millennium Approaches and Perestroika. So, does the 7-hour double bill live up to…
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