David Hare’s adaptation is good, but James McArdle is better in the National’s gripping new production of Ibsen’s meandering epic, Peter Gynt.
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David Hare’s adaptation is good, but James McArdle is better in the National’s gripping new production of Ibsen’s meandering epic, Peter Gynt.
Read MoreAs the audience shuffle in to Metamorphosis at the Tristan Bates Theatre, extracting themselves from coats and squeezing into seats, they are also aware of another, rather more choreographed, movement taking place. To the low thump of base, confined to the corner of the stage, an ensemble repeat the same sharp movements, trance-like. Collide Theatre’s…
Read MoreCordelia Lynn updates Chekhov’s timeless Three Sisters into a jarring, nostalgic piece of brilliance.
Read MoreAbhishek Majumdar much-delayed Pah-La finally makes it to the Royal Court stage, but fails to deliver on its promising first half.
Read MoreAnne Washburns wide-reaching theatrical essay Shipwreck delivers a host of challenging and nuanced conclusions about living in post-truth era of Donald Trump’s America
Read MoreThe riveting stage adaptation of A Slight Ache outshone its more star-studded counterpart in the final set of Pinter’s short plays
Read MoreThe spirit of Harold Pinter marches on in ‘Pinter Four’, which poignantly captures both his talent for humour and his abstract insight into our domestic relationships .
Read More★★★★☆ // KDC present SHE and Stiff, a solid and engrossing double bill of fringe theatre sustained by slick and committed acting
Read More★★★☆☆ // Despite a promising set-up, the RSC’s latest production of Romeo and Juliet struggles to deliver the cutting social commentary it initially promises.
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