Compelling, confusing, and angry in equal parts, Super Duper Close Up explores image and self-image with wonderfully messy incision.
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Review: Chekhov’s First Play (Battersea Arts Centre)
Dead Centre cut savagely to the heart of a confused original script in their radically reworked adaptation of Chekhov’s First Play
Read More Review: CHUTNEY (The Bunker)
Despite struggling to make a more serious connection, CHUTNEY still milks an impressively high standard of comedy from the touchy subject of violent pet murder.
Read More Review: Moot Moot (Yard Theatre)
Farcical, satirical, jarring, and absurd: Moot Moot returns to The Yard to induct you into the weirdest radio show you’ll never hear,
Read More Nine Alternative Theatre Openings for November
Nine of the weirdest, most exciting shows opening in London this November, as chosen by our Theatre Editor.
Read More Review: I’m Not Running (National Theatre)
David Hare’s latest play “I’m Not Running” lacks his characteristic wit, instead subjecting its audience to a dull and confused evening of fantasy politics.
Read More Review: The Malady Of Death (The Barbican)
The Malady of Death, Alice Birch and Katie Mitchell’s arresting new piece of Live Cinema, arrives at the Barbican and leaves a striking impression.
Read More Nine Alternative Theatre Openings for October
Nine of the weirdest, most exciting shows opening in London this October, as chosen by our Theatre Editor.
Read More Spiders by Billie Collins
Spiders isn’t perfect. Spiders isn’t completed – I hope. Instead, it’s peak fringe theatre: rough, vital, compelling, effective.
Read More Exit the King
In Exit The King, Marber mixes clowning and comedy to create one of the year’s truest tragicomedies.
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