Spiders isn’t perfect. Spiders isn’t completed – I hope. Instead, it’s peak fringe theatre: rough, vital, compelling, effective.
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Exit the King
In Exit The King, Marber mixes clowning and comedy to create one of the year’s truest tragicomedies.
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Other People’s Teeth review
Matt Neubauer reviews Other People’s Teeth’s last show before it hits the Edinburgh Fringe.
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A Serious Play about World War II
A Serious Play About World War II isn’t very serious. It isn’t really about World War II. If we’re being honest, it’s barely a play.
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Bad Roads by Natal’ya Vorozhbit
CW: Sexual Assault A lengthy, humorous monologue opens Bad Roads: a Ukrainian journalist talks of the civil war that has ravaged the country for three years and the soldier she fell in love with whilst reporting. She is a conflicted character: “how crass it is to talk about love in war!” she jokes, the guilt…
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Hommo by Thom Froy
“This is the narrative: men fuck women.”
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After the Rehearsal/Persona – Toneelgroep Amsterdam
The third, and final, part of Ivan van Hove/Toneelgroop Amsterdam’s Barbican residency is a double bill of short film adaptations: both from popular Swedish writer Ingmar Bergman; both with the same cast; and both somewhat cryptic pieces covering themes of personal identity and truth in the theatre.
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Arm – Mireille and Mathieu
Mireille and Mathieu bill themselves as puppeteers – but what they do is closer to two large, enthusiastic kids playing with action figures than it is to any puppetry you may have seen before. No traditional puppets are used in Arm – the duo instead favour a plethora of kids’ toys and flea-market objects. It seems as…
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Whalebone
Whalebone begins with a simple visual metaphor: a bright red folding umbrella is tightly secured round its middle by a Velcro strip. It pushes against the fastening, but ultimately is constrained. It’s a simple yet striking motif that will underpin the rest of the play – a play about bodies, and the space that they…
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Boris and Sergey’s One Man Extravaganza
Boris and Sergey are one of the top comedy double acts of the festival. They’re a classic combination: Sergey the older, smarter, scheming brother; Boris the younger, hot-headed, and eager one.
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