The Malady of Death, Alice Birch and Katie Mitchell’s arresting new piece of Live Cinema, arrives at the Barbican and leaves a striking impression.
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London Film Festival 2018: Assassination Nation
Not quite softcore exploitation horror but not quite a rallying feminist cry either, Sam Levinson’s femme-fatale-led piece fails to pull out all the stops as promised – mostly because it doesn’t seem to know where the stops are in the first place.
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Nine Alternative Theatre Openings for October
Nine of the weirdest, most exciting shows opening in London this October, as chosen by our Theatre Editor.
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London Film Festival 2018: Border
True to its tagline, John Ajvide Lindqvist’s new screenplay is indeed “a love story unlike any other” in certain senses – but on the other side of the coin, it is a wholly predictable and often misguided whodunit thriller just like every other.
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London Film Festival 2018: May The Devil Take You
Too many cooks spoil the broth, and so do too many clichés – May The Devil Take You is brilliant on occasion, but mostly plays out as an inane, muddled collection of multicultural jumpscare ideas connected by a thinly-drawn plot.
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London Film Festival 2018: School’s Out
Loaded with enough intrigue to make you think yourself into a corner, School’s Out ramps up the dread at every turn, up to its (literally) explosive climax.
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London Film Festival 2018: Wildlife
Carey Mulligan and Ed Oxenbould gamely shoulder the hefty emotional weight of Paul Dano’s directorial debut, supported by an underused but nonetheless brilliant Jake Gyllenhaal.
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BlacKkKlansman is a wake up call dressed up as a comedy
Blackkklansman is so much more than a movie or cultural capsule, it is a lesson and rallying call.
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Protest Song by Tim Price at the Camden People’s Theatre
Protest Song leaves you uncomfortable but wanting to know more. And it leaves you feeling like you should do better.
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Spiders by Billie Collins
Spiders isn’t perfect. Spiders isn’t completed – I hope. Instead, it’s peak fringe theatre: rough, vital, compelling, effective.
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