True to its tagline, John Ajvide Lindqvist’s new screenplay is indeed “a love story unlike any other” in certain senses – but on the other side of the coin, it is a wholly predictable and often misguided whodunit thriller just like every other.
Read More
Too many cooks spoil the broth, and so do too many clichés – May The Devil Take You is brilliant on occasion, but mostly plays out as an inane, muddled collection of multicultural jumpscare ideas connected by a thinly-drawn plot.
Read More
Loaded with enough intrigue to make you think yourself into a corner, School’s Out ramps up the dread at every turn, up to its (literally) explosive climax.
Read More
Carey Mulligan and Ed Oxenbould gamely shoulder the hefty emotional weight of Paul Dano’s directorial debut, supported by an underused but nonetheless brilliant Jake Gyllenhaal.
Read More
Blackkklansman is so much more than a movie or cultural capsule, it is a lesson and rallying call.
Read More
Protest Song leaves you uncomfortable but wanting to know more. And it leaves you feeling like you should do better.
Read More
Spiders isn’t perfect. Spiders isn’t completed – I hope. Instead, it’s peak fringe theatre: rough, vital, compelling, effective.
Read More
Foxing – Nearer My God As befits the title of their latest studio outing, Foxing are certainly reaching for new heights – once considered the band that would be post-rock’s saving grace, the Missouri quartet have proven themselves so much more than the faces of a single genre. Nearer My God is a Herculean studio…
Read More
How To Cope With Embarrassment offers us a delicious platter of first-class cringe. The show poignantly opens with the classic statement from 2007’s Miss South Carolina when asked why she thinks a fifth of Americans cannot locate their country on a map, to which she responded: “I personally believe that U.S. Americans […] uhmmm, some people…
Read More
In Exit The King, Marber mixes clowning and comedy to create one of the year’s truest tragicomedies.
Read More