David Hare’s adaptation is good, but James McArdle is better in the National’s gripping new production of Ibsen’s meandering epic, Peter Gynt.
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David Hare’s adaptation is good, but James McArdle is better in the National’s gripping new production of Ibsen’s meandering epic, Peter Gynt.
Read MoreAs the audience shuffle in to Metamorphosis at the Tristan Bates Theatre, extracting themselves from coats and squeezing into seats, they are also aware of another, rather more choreographed, movement taking place. To the low thump of base, confined to the corner of the stage, an ensemble repeat the same sharp movements, trance-like. Collide Theatre’s…
Read MoreCordelia Lynn updates Chekhov’s timeless Three Sisters into a jarring, nostalgic piece of brilliance.
Read MoreDead Centre cut savagely to the heart of a confused original script in their radically reworked adaptation of Chekhov’s First Play
Read More★★★★☆ // KDC present SHE and Stiff, a solid and engrossing double bill of fringe theatre sustained by slick and committed acting
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