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4/5

Arts TheatreMatt AldridgeJuly 15, 2019July 15, 2019

Review: Peter Gynt (National Theatre)

David Hare’s adaptation is good, but James McArdle is better in the National’s gripping new production of Ibsen’s meandering epic, Peter Gynt.

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Arts TheatreMatt AldridgeApril 30, 2019April 30, 2019

Review: Metamorphosis (Tristan Bates)

As the audience shuffle in to Metamorphosis at the Tristan Bates Theatre, extracting themselves from coats and squeezing into seats, they are also aware of another, rather more choreographed, movement taking place. To the low thump of base, confined to the corner of the stage, an ensemble repeat the same sharp movements, trance-like. Collide Theatre’s…

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Arts TheatreMatt AldridgeApril 18, 2019April 18, 2019

Review: Three Sisters (Almeida)

Cordelia Lynn updates Chekhov’s timeless Three Sisters into a jarring, nostalgic piece of brilliance.

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Arts TheatreMatt NeubauerNovember 12, 2018November 12, 2018

Review: Chekhov’s First Play (Battersea Arts Centre)

Dead Centre cut savagely to the heart of a confused original script in their radically reworked adaptation of Chekhov’s First Play

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Image: Carl Fletcher
Arts TheatreMatt AldridgeNovember 9, 2018November 10, 2018

Review: SHE and Stiff (White Bear Theatre)

★★★★☆ // KDC present SHE and Stiff, a solid and engrossing double bill of fringe theatre sustained by slick and committed acting

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