Cordelia Lynn updates Chekhov’s timeless Three Sisters into a jarring, nostalgic piece of brilliance.
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Review: Shipwreck (Almeida)
Anne Washburns wide-reaching theatrical essay Shipwreck delivers a host of challenging and nuanced conclusions about living in post-truth era of Donald Trump’s America
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Review: The Tragedy of King Richard the Second (Almeida)
Richard II opens in a big grey box. It is Richard’s prison cell, flanked by gun-metal grey walls and grated floors, filled with muted tones, buckets, and emptiness. Richard opens with a monologue duplicated from its original home later in the play, and it’s the clear genesis of the key idea behind the production: a…
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