Trans Trans Trance is a scream in the face of bigotry and hatred, deftly performed as part of Vilnius Takes Over at east-London inter-arts venue Rich Mix
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Review: Super Duper Close Up (The Yard Theatre)
Compelling, confusing, and angry in equal parts, Super Duper Close Up explores image and self-image with wonderfully messy incision.
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Review: Pinter Four (Harold Pinter Theatre)
The spirit of Harold Pinter marches on in ‘Pinter Four’, which poignantly captures both his talent for humour and his abstract insight into our domestic relationships .
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Review: Chekhov’s First Play (Battersea Arts Centre)
Dead Centre cut savagely to the heart of a confused original script in their radically reworked adaptation of Chekhov’s First Play
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Review: CHUTNEY (The Bunker)
Despite struggling to make a more serious connection, CHUTNEY still milks an impressively high standard of comedy from the touchy subject of violent pet murder.
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Review: SHE and Stiff (White Bear Theatre)
★★★★☆ // KDC present SHE and Stiff, a solid and engrossing double bill of fringe theatre sustained by slick and committed acting
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Review: Romeo And Juliet (Barbican)
★★★☆☆ // Despite a promising set-up, the RSC’s latest production of Romeo and Juliet struggles to deliver the cutting social commentary it initially promises.
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Review: Moot Moot (Yard Theatre)
Farcical, satirical, jarring, and absurd: Moot Moot returns to The Yard to induct you into the weirdest radio show you’ll never hear,
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Review: Forgotten 遗忘 (Arcola Theatre)
The importance of the story outstrips the deftness of its telling in Forgotten 遗忘, Daniel York Loh’s tale of the rarely-remembered Chinese Labour Corps.
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Review: I’m a Phoenix, Bitch (Battersea Arts Centre)
Legendary performance artist Bryony Kimmings returns with a brave and exhilerating solo show examining her recovery from postnatal breakdown.
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