Compelling, confusing, and angry in equal parts, Super Duper Close Up explores image and self-image with wonderfully messy incision.
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Review: Pinter Four (Harold Pinter Theatre)
The spirit of Harold Pinter marches on in ‘Pinter Four’, which poignantly captures both his talent for humour and his abstract insight into our domestic relationships .
Read More Review: Chekhov’s First Play (Battersea Arts Centre)
Dead Centre cut savagely to the heart of a confused original script in their radically reworked adaptation of Chekhov’s First Play
Read More Review: CHUTNEY (The Bunker)
Despite struggling to make a more serious connection, CHUTNEY still milks an impressively high standard of comedy from the touchy subject of violent pet murder.
Read More Review: SHE and Stiff (White Bear Theatre)
★★★★☆ // KDC present SHE and Stiff, a solid and engrossing double bill of fringe theatre sustained by slick and committed acting
Read More Review: Romeo And Juliet (Barbican)
★★★☆☆ // Despite a promising set-up, the RSC’s latest production of Romeo and Juliet struggles to deliver the cutting social commentary it initially promises.
Read More Review: Moot Moot (Yard Theatre)
Farcical, satirical, jarring, and absurd: Moot Moot returns to The Yard to induct you into the weirdest radio show you’ll never hear,
Read More Review: Forgotten 遗忘 (Arcola Theatre)
The importance of the story outstrips the deftness of its telling in Forgotten 遗忘, Daniel York Loh’s tale of the rarely-remembered Chinese Labour Corps.
Read More Review: I’m a Phoenix, Bitch (Battersea Arts Centre)
Legendary performance artist Bryony Kimmings returns with a brave and exhilerating solo show examining her recovery from postnatal breakdown.
Read More Review: The Malady Of Death (The Barbican)
The Malady of Death, Alice Birch and Katie Mitchell’s arresting new piece of Live Cinema, arrives at the Barbican and leaves a striking impression.
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